LOS
ANGELES
—
With
her
first
high-profile
studio
scene
in
four
years
being
released
by
Brazzers
on
Wednesday,
Ivy
Lebelle
is
back
with
a
bang.
An
anal
bang
with
Mazee
the
Goat,
to
be
more
precise.
Lebelle
spoke
exclusively
with
XBIZ
to
reveal
details
about
her
comeback,
officially
kicking
off
with
yesterday’s
release
of
the
trailer
for
her
new
Brazzers
scene,
to
the
delight
and
anticipation
of
her
legion
of
fans.
“Basically,
the
last
scene
I
shot
for
mainstream
was
in
the
beginning
of
2020,”
Lebelle
shares.
“I
took
a
super
long
break,
for
a
series
of
reasons.
First,
COVID
was
just
really
stressful
for
everyone,
and
I
wasn’t
motivated
to
shoot.
And
then
in
2021
I
decided
to
get
my
implants
removed…”
The
experience
devolved
in
a
protracted
ordeal
that
the
brunette
stunner
describes
as
“really
traumatic.”
“I
honestly
didn’t
know
if
I
would
ever
come
back
to
mainstream,”
she
confides.
“I
had
such
intense
and
severe
issues
and
complications
with
my
breast
implants.
I
didn’t
really
know
how
my
breasts
would
look
after
the
removal,
or
how
I
would
feel
in
my
body,
or
if
people
would
even
want
to
watch
me
perform.”
Concerns
about
her
appearance
—
a
universal
worry
among
those
who
work
with
their
looks
for
a
living
—
became
almost
crippling
to
the
previously
confident,
always
in-demand
performer
and
iconic
Los
Angeles
exotic
dancer.
“I
was
left
with
nothing,”
Lebelle
reveals
about
this
dark
period.
“I
was
almost
convinced
it
was
gonna
look
like
I
had
top
surgery!
I
mean,
I
support
top
surgery
for
people
who
want
it,
but
I
definitely
did
not
want
it.
Even
though
my
doctor
did
an
excellent
job,
the
healing
process
was
just
really
long.”
Her
scars,
in
particular,
took
a
long
time
to
fade,
and
Lebelle
just
was
not
comfortable
returning
to
on-camera
work
for
about
four
months
“I
had
to
ease
my
way
back
into
performing,”
she
says.
“And
then
I
started
shooting
solo
stuff
with
my
top
on
and
only
to
keep
my
OnlyFans
going.”
In
2022
Lebelle
started
occasionally
shooting
collabs
—
still
with
her
top
on
—
with
a
few
of
her
fellow
performers
and
creators
she
trusted.
Lebelle
credits
her
fanbase
as
instrumental
in
helping
her
with
her
body
image
situation
—
along
with
a
couple
of
strategically
placed
tattoos.
“Most
of
my
scars
now
are
covered
by
these
snake
tattoos
that
I
have,”
she
says.
“It
was
even
scary
in
my
personal
life,
like
taking
off
my
bra
in
front
of
somebody,
but
the
snake
tattoos
really
helped.
Also,
they
look
really,
really
cool!”
Shedding
her
COVID-era,
depression-eating
pounds
also
helped
Lebelle
feel
confident
to
return
before
the
lenses.
“Now
I’m
back
to
the
body
that
I
recognize,
and
I’m
kind
of
back
to
the
body
that
I
had
before
my
implants,”
she
reveals.
“I
honestly
feel
like
I
look
more
youthful
now.
I
feel
very
confident.
It
just
took
time.
But
I
feel
once
I
got
the
tattoos
and
looked
at
myself,
I
was
like,
‘Okay
—we’re
back.
We
can
bust
them
out
now!’”
Lebelle
says
she
deliberately
chose
Brazzers
as
her
comeback
studio
as
a
token
of
gratitude
for
the
veteran
studio.
“My
new
Brazzers
scene
is
a
classic
gonzo
anal
scene,
because
I
am
a
gonzo
queen.
Gonzo
is
my
favorite,
and
I
know
my
fans
know
and
love
me
for
anal.
I
haven’t
been
doing
a
ton
of
anal
in
my
OnlyFans,
only
a
little
bit,
but
I’ve
been
missing
that
side
of
me.
So
I
just
wanted
to
go
full
throttle
back
to
‘Old
Ivy,’
the
Ivy
that
people
remember.”
For
the
Toni
Ribas-helmed
scene,
Lebelle
chose
a
leather
bondage
outfit
and
decided
to
be
super
literal
with
the
“getting
out
of
her
cage”
concept.
“I
am
caged
in
the
beginning
of
the
video,
and
then
I’m
out
of
my
cage.
I
am
presented
with
the
dick
and
I
finally
get
out
of
my
cage.
I’m
so
back!
It’s
really
just
like
a
sexy,
dark,
vibey,
full
sweaty,
sexy
anal
scene.”
Lebelle
shot
two
more
scenes
with
Brazzers
on
her
comeback
trip
to
be
released.
“I
did
want
to
do
my
comeback
with
them,
because
Brazzers
was
always
a
huge
champion
of
me
in
my
career,
especially
when
I
came
onto
this
scene,”
she
says.
“In
2017
people
were
still
telling
me
that
tattoos
were
not
attractive,
and
that
I
would
have
trouble
getting
bookings.
Even
my
fake
boobs
at
the
time
seemed
to
be
a
problem.
Brazzers
was
like
‘Big
titties
and
tattoos?
We
love
it!’
They
were
my
second
scene
ever,
and
I
have
them
to
thank
for
a
lot
of
my
immediate
success,
and
they
continued
to
constantly
book
me
and
for
fun
scenes.”
Lebelle
—
who
is
representing
herself
during
her
comeback
—
says
she
has
always
had
very
positive
experiences
with
Brazzers
and
their
directors.
“I
just
felt
it’d
be
nice
for
them
to
relaunch
my
career.
And
if
I
felt
a
little
like
I
was
dipping
my
toe
in
the
water
and
wanted
to
see
how
I
felt
shooting
these
scenes,
I
had
such
a
wonderful
time,
I’m
leaning
towards
shooting
much
more
mainstream
in
2025.”
Lebelle
also
says
she
has
something
“very
special”
in
the
works
with
her
pal
Ricky
Johnson’s
breakaway
success
site
Ricky’s
Room.
“It’s
funny
because
I
did
shoot
one
scene
with
Ricky
before
my
official
comeback
with
Brazzers
now,
but
I
saw
that
as
part
of
the
content
collab
I
was
doing,”
Lebelle
says.
“Except
his
site
has
gotten
so
big,
that
people
now
almost
consider
it
like
a
mainstream
studio.
What
he
has
accomplished
with
Ricky’s
Room
is
so
impressive
—
and
let’s
just
say
people
should
stay
tuned
for
upcoming
announcements…”
Lebelle’s
comeback
is
also
part
of
her
full
reboot
of
a
year
that
turned
her
life
upside
down.
“This
year
has
been
absolutely
crazy,
as
I’m
sure
a
lot
of
people
are
aware
of,”
she
adds,
referring
to
an
extremely
problematic
ex-boyfriend
who
is
no
longer
part
of
her
life.
“It’s
all
still
pretty
delicate,
but
everyone
in
the
industry
pretty
much
knows
about
it,”
she
reflects.
“This
year
has
been
more
difficult
than
anticipated,
and
my
comeback
is
my
way
of
reclaiming
my
autonomy
in
this
profession.
My
career
got
‘lost
in
the
sauce’
with
that
guy.
So
it’s
nice
to
be
back
and
feel
like
Ivy
again
and
perform
on
these
sets.
I
definitely
missed
it
a
lot.
It’s
really
great
doing
OnlyFans
—
it’s
so
fun
to
just
have
the
ease
of
filming
at
home
and
interacting
with
fans
—
but
there’s
nothing
compared
to
being
on
set,
if
you
like
being
on
set.
“And
I
love
it.”
